Malcolm McLaren funeral cortege

"It is in these conditions that a parodic end of the division of labour suddenly appears, with carnivalesque gaiety, all the more welcome because it coincides with the generalised disappearance of all true competence. A financier can be a singer, a lawyer a police spy, a baker can parade his literary tastes, an actor can be president, a chef can philosophize on the movements of baking as if they were landmarks in universal history. Each can join the spectacle, in order publicly to adopt, or sometimes secretly practice, an entirely different activity from whatever speciality first made their name. Where the possession of "mediatic status" has acquired infinitely more importance than the value of anything one might actually be capable of doing, it is normal for this status to be easily transferable and to confer the right to shine in the same fashion to anyone anywhere. Most often these accelerated media particles pursue their simple orbit of statutorily guaranteed admiration. But it happens that the mediatic transition provides the cover for many enterprises, officially independent but in fact secretly linked by various ad hoc networks. With the result that occasionally the social division of labour, along with the easily foreseeable solidarity of its use, reappears in quite new forms: for example, one can now publish a novel in order to arrange an assassination. Such picturesque examples also go to show that one should never trust someone because of their job.

But the highest ambition of the integrated spectacular is still that the secret agents become revolutionaries, and that the revolutionaries become secret agents."

Guy Debord at "Commentaries on The Society of The Spectacle", 1988.

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